SATB solo, SATB choir, orchestra Text: Traditional Latin Duration: ca. 35:00 A combination of superb choral writing and colourful orchestration lead the listener from a time of quiet grief through acceptance to a peaceful hope. Six movements in total. This work was premiered on November 2, 2001 in London, Ontario, Canada by the London Fanshawe Symphonic Chorus and Concert Players Orchestra under the direction of Gerald Fagan. Introit: Through-written, but using a recurring motive heard at the very beginning of the movement. Homophonic choral writing. At its conclusion, this movement moves directly into the Kyrie.
Kyrie: A double fugue between choir and woodwinds. The first section features SATB soloists stating subject and countersubject. The middle section (Christe eleison) introduces the full choir. Concludes with full choir reiterating the opening subject.
Lacrymosa: A mournful opening featuring basses and tenors. The middle section (Pie Jesu) is more peaceful and gives the sopranos and altos the place of importance.
Lux Aeterna: This movement for SSAA only. Tremolo strings open this section, symbolizing shimmering light.
Hosanna: Very energetic. Large range in dynamics. All sections of the orchestra are prominent at various times.
In Paradisum: Beautiful contrast to Hosanna. Begins quietly with women’s voices and tremolo strings. Halfway through men’s voices join along with brass and build to majestic climax before resolving to a peaceful conclusion.
$4.85 (Vocal Score - LMP OR0301VS)